Wheel thrown, B-Mix, Reduction Fired, Dipped half bermuda half lt. celadon, dk red underglaze motif |
Kona Bowl (top), Wheel thrown b-mix clay, reduction fired |
I started throwing a bunch of bowls 2nd semester to practice generating smooth continuous curved walls. This starts with centering a low wide disc of clay and then opening up a shallow curved depression, pulling the walls outward and upward simultaneously. These bowls were made using about 1lb of clay. I made several different shapes of bowls and really got a lot of good practice turning foots and creating surface textures. Because B-mix has no grog, the turning is really smooth and nice. I like the way the 2 transparent glazes overlap, as well as the purplish tones in the blue bermuda glaze.
I think I must have knocked this bowl during transport since its got some dents in the rim. I glazed the bowl with MD shino which made this interesting textured surface in the inside surface. During firing, some slate must have dripped from a nearby piece in the kiln, but it made a great accent. The outside of the bowl has a layer of temmoku over the shino.
Below I used a loop tool to carve concentric concave grooves in the side of the bowl right down to the foot. It made for a really elegant bowl. Unfortunately some of that quality was lost after glazing and firing. I probably should have used a lighter more transparent glaze.
Kona bowl (side) - Temmoku over MD shino outer, MD Shino with Slate drip inner |
(side) Wheel thrown B-mix, turned concave grooves using loop tool with concave foot groove |
Temmoku with temmoku drip inner, clear over temmoku outer |
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